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Theodore Dreiser The Ameri cigargontte Dream Courtney Connors English III CP Mr. Breslin         Through the accessible reproof of Theodore Dreiser, the plight of the poor is comp ared a arrive atst the actions of the comfortable. In deuce An American cataclysm and youngster Carrie Dreiser presents characters who are driven by ignorance and in ability to withstand the pressures of the sh completelyow American zealous for m bingley, supremacy, mien -- dreams ab break which Dreiser himself was indeed an confidence (W.A. Swanberg 254). Through give away his career, Dreiser wrote for a descriptor of periodicals in order to net enough funds to stand out himself. His winner thither lead him to write figments, which in invert guided his racecourse to fame and fortune.                  Mirroring the life and op frame of Dreiser, the characters in An American Tragedy and child Carrie demonstrate the uniform goa ls and hopes for their lives. deal Dreiser, some(prenominal) Clyde and Carrie came from modest roots. In American community at the manoeuvre of the century, however, it is funds that lastly makes the man. As a result, both characters autho turn off their lives take shapeing their melodious mode into this mold, even at the address of compromise themselves.          inwardly the book An American Tragedy, a poor male child is carrying his way up to become kn own. In his community, a unwrap is known for the amount of money its holder makes. His actions in and out of work reflect what his friendly life of popularity allow for become. He extends for richness and a life of prosperity, save it is not ever what he compulsions. His choices with heat have to be that of wealth and success or he is dishonored.         This character, Clyde, takes a series of heterogeneous jobs to wait on him succeed. His first high paying job was as a b ell hop in a hotel frequented by the rich. ! From in that respect he went on to work at the habilitate grinder owned by his extremely wealthy uncle, Uncle Griffiths. commence in the wash rooms, Clyde eventually worked his way into a managerial limit keeping tab of the payroll. While at the raiment learn factory Clyde engages in a relationship with Roberta, one of the workers down the stairs his charge. Clyde then falls in love with Sondra, a woman of the speeding class. Not long afterwards, he discovers that Roberta is pregnant. earlier than post his own rise into the velocity class, Clyde must come a way to get rid of Roberta. His only thoughts are that of murder, but he lacks the courage to do it himself. Instead, he leaves her to deluge after their boat overturns during an outing. Clyde is caught and then imprisoned, given the death penalty.         In infant Carrie, Carrie Meeber is a young woman traveling from her sylvan groundwork to the city to live with her sister. Upon arriv ing, she is fascinated by the debauched and cheesy city lifestyle. Carrie soon discovers, however, that it is only the wealthy who can relish this side of city living. Rather than work as a lowly employee in a shoe factory, Carrie allows Drouet, a rich man who is drawn to her inexperience, to support her. Soon thereafter, however, Carrie meets Hurstwood, a as well wealthy man who, without her knowing, is already married. Hurstwood falls in love with Carrie and, in an attempt to convince her to run extraneous with him, steals a large sum of money from his work range and runs off, taking her with him         Hurstwood ends up returning the money and the couple eventually fall to vernal York. There Hurstwood is unable to find work and Carrie grows increasingly dysphoric with their lack of money and incognito state. Carrie then pursues work in the theater as an actress, becoming a celebrity near overnight. As Carrie catapults into fame and fortune she forg ets Hurstwood, which in turn leads him to suicide at! the sassys end.         What both novels portray is the inquisition of the American Dream at the turn of the century. The idea understructure the American Dream concept is that, through hard work and clean goodness, anyone can rise from poverty into riches. If they can do it, so can I. Dreisers characters, however, are not in all moral and reliant on hard work to obtain their success. In this society the ends justify the means. Carrie, for instance, succeeds largely as a result of her relationships with men such as Drouet and Hurstwood. She spends very comminuted while in the novel actually functional her way up from a low-paying, low-status job.         Similarly, the story of Clyde Griffiths demonstrates the extremes to which volume were instinctive to go in order to reach success. Like Carrie, Clyde spends itty-bitty condemnation working, rising in society by making friends with the upper class social elite. His love affair with the working girl, however, threatens his position among these elite. Finding no other way out of the spotlight that would allow him to remain among the upper class, Clyde decides to eliminate this obstacle and kills Roberta.         What Dreiser demonstrates in both novels is a criticism of the American compulsion with money and high social status. However, the truthfulness of these musical scores demonstrates Dreisers toleration of this society. Though he may not okay of it, he cannot, and does not, deny its existence. As a result, he does his outperform to regard it.         In trying to understand the society, Dreiser attempts to present an direct account of American life. His inspiration for these two novels came from actual events. An American Tragedy was base on a number of cases involving killers who [were] make slight by hatred than by the passion to rise in society and thus, as Dreiser saw it, was a recurrent and flaming(a) i ndictment of the nations false standards (W.A. Swanbe! rg 253). Cases he give out included: the 1891 murder of Helen Potts by Carlyle Harris; the 1906 murder of Grace chocolate-brown by Chester Gillette; and the 1911 murder of Avis Linnell by Reverend Clarence Richeson.

        Similarly, Dreiser base Sister Carrie on the life of a woman he knew quite well, his own sister Emma. Emma, who in 1886 had eloped from Chicago with ... [L.A.] Hopkins, became, with fictional changes, Sister Carrie. Hopkins became George Hurstwood, and Chapin & Gore, the sincerely yours swell saloon where Hopkins rifled the safe, became Fitzgerald & Moys. Much of his spot came made (W.A. Swanberg 83). Dreisers portrayal of Carries life was in ni gh respects more fact than fiction.         Mirroring the life and ambition of Dreiser, the characters in An American Tragedy and Sister Carrie demonstrate the same goals and hopes for their lives. Like Dreiser, both Clyde and Carrie come from modest roots. In American society at the turn of the century, however, it is money that makes the man. As a result, both characters spend their lives working their way into this mold, even at the cost of compromising themselves.         The idea driving both novels is that it is the money that makes a man. The upper classes, with their pockets profuse of money and stylish clothes, are around idolized by the American population at large. When Carrie and Clyde are without money they are looked down upon with contempt by the upper classes. Once they have money, Clyde and Carrie are able to conjoin the fashions and pastimes of the wealthy, lastly making their way into the elite society.         A lthough both novels were based on fact, only An Ameri! can Tragedy met with critical success. Sister Carrie, Dreisers first novel, was not successful because [it] depicted social transgressions by characters who felt no remorse and largely break unclouded punishment (Nina Baym 791). Nearly a decade later the novel was reissued and has since become more popular.         Dreiser was more fascinated by ideas and winning being destinies than he was in love with language. His interest was in human motives and behavior and in the particularities of the environments that helped to shape them (Nina Baym 792). The impact of the money-obsessed society on characters such as Clyde and Carrie is an example of this. How each of these characters lives and strives for success demonstrates the arcdegree to which they are influenced by wealth and high society.         In conclusion, a good deal of Dreisers work is based on a coincidence of the lifestyles of the poor to the lifestyles of the rich. Those with mon ey also have the power in society which is something that everybody wants. For that reason people much like Clyde and Carrie strive to become wealthy at any cost. Dreiser examines this and concludes that it is because the society at large that people place such a enceinte emphasis on money. If you want to get a full essay, order it on our website: OrderEssay.net

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